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Symposium 113

Fauré and His Students
February 8, 2015
February 9, 2015

The life and work of Gabriel Fauré bridged the great transformation from the close of the belle-époque to the dawn of the modern. At the turn of the century, Fauré inspired and advocated on behalf of a new generation of composers. This symposium includes Fauré’s exquisite song-cycle “La bonne chanson” as well as Ravel’s early masterpiece string quartet, dedicated to his teacher.

ARTISTS

Jennifer Frautschi
Jennifer Frautschi
Johnny Gandelsman
Johnny Gandelsman
Jesse Blumberg
Jesse Blumberg
Max Mandel
Max Mandel
Raman Ramakrishnan
Raman Ramakrishnan
Ieva Jokubaviciute
Ieva Jokubaviciute

REpertoire

La bonne chanson, op. 61
Text by Paul Verlaine 1844-1896



1. Une sainte en son auréole
2. Puisque l'aube grandit
3. La lune blanche luit dans les bois
4. J'allais par des chemins perfides
5. J'ai presque peur, en vérité
6. Avant que tu ne t'en ailles
7. Donc, ce sera par un clair jour d'été
8. N'est-ce pas?
9. L'hiver a cessé

Gabriel Fauré 1845-1924

Piano Trio in D Minor, op. 120


Allegro ma non troppo
Andantino
Allegro vivo

Fauré
INTERMISSION

Nocturne
Cortège


Lili Boulanger 1893-1918

String Quartet in F Major


Allegro moderato. Très doux
Assez vif
Très lent
Vif et agité

Maurice Ravel 1875-1937

Program

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